Monday, August 27, 2012

LAKE VOSTOV




My writer friend SUSAN LANDRY (Portland, MAINE, USA) wrote the following exquisite and piercing piece in response to a New York Times article ---  


"I have remained obsessed with the news about the discovery of a fresh-water lake beneath the ice at Vostok station, in Antarctica. 

RUSSIAN SCIENTISTS BORE INTO ANCIENT ANTARCTIC LAKE
(Dr. Luckin, director of the expedition, said, ‘For me, the discovery of this lake is comparable with the first flight into space.’ There have been much–disputed hints that life might still exist there. New York Times 2/08/12)

We live in a pale globe, haloed in the light of underwater moons. Like the blood of a medusa, we are diaphanous; woven of silken threads, spun from microbial skeins, soft as smoke. The skin of our world glows overhead, a membrane holding in fluid and song. We have words; not to say out loud, just to look at. We press them into shapes or memories and release them. The word called blue can be sky or long afternoons. Brown can be sand pebbles or an empty heart. Like birds, blue and brown can soar and glide. They can spin like star motes or flatten, like feathers in a storm.

We dance. The space between us is sacred. The space around us is eternity. We never ask questions. We do not begin or end.

We are crying. There is too much noise, a dark thrum, like music that is wrong, like music with sharp edges.

We are afraid to look: the words break like black ice; splinters of red pierce the grey green sky. Our eyes hurt; we want to shut them, lock them tight as fossils. Our ears are curling up, like seashells. Words like drill or science or discovery pulse through the water like words for pain. We are dying."


Susan blogs here. 



Saturday, August 25, 2012

IT IS ALL ONE WATER


     


On The Edge Of The Clearing Weather | Claire Beynon | Oil on Paper 2010




‘It is all one water – a finger in a tide pool brings us all together’ 
Marylinn Kelly



Water, in its many forms and expressions, has been an integral feature of my work for the past three decades - as raindrop and storm, puddle, waterfall, river, ocean, sea ice and glacier. Aside from painting and drawing and creating short narrative films, I fold paper boats - at last count my flotilla numbered around 1600. Since I first began making them in 2007, these boats have taken on a life and presence all their own. You can read their story HERE

Concern about the declining health of our world's waterways prompted me to invite members of the blogging community to participate in a project titled Waters I Have Known.  (http://icelines.blogspot.co.nz/2010/10/invitation-from-me-and-sea.html). My wish was to create an open, online studio, a space where I could post images of work-in-process, share web links, invite questions, ideas and discussion. This site is the result.  

Waters I Have Known documents recent water-related projects. Some have been solo endeavors - the majority have had a collaborative element to them. 

Early paintings in the Waters I Have Known series were a response to the oil catastrophe in the Gulf of Mexico. A stream of lively debate around the power, wonder and fragility of our world’s oceans was already under way when I suggested to readers we take our discussion further and contemplate the internet as an ocean of a different kind. Moved by the range and richness of texts gifted in response, I incorporated their words in several G ULF paintings, including an 'ocean of words’ titled Standing In The Heart. These texts were also worked into a collaborative poem* that became the narration for a 2011 climate change film Love The Waters. 

                                              
                                                 In the wide sound of the sea
                                                 the song of a vast adventure
                                                 a music that follows flight
                                                 paths of blood rushing 
                                                 through veins. And the roar 
                                                 of the sea is the roar of our planet. 
                                                 
                                                 Salt. Spray. Ice. Sand.
                                                 
                                                 Each wave a limb of the earth.

                                                 The oceans are hoarders 
                                                 of holy mysteries, generous 
                                                 to a fault - all heaving movement,
                                                 energy and gorgeousness; life
                                                 packed into every inch and drop
                                                 of it; ah, its drama! Its secrecy.
                                                 The way it carries the past, future
                                                 and present in it.

                                                 Dream of the sea and from its edge
                                                 gaze out to the pencil-thin line
                                                 of the horizon where sky and water
                                                 are one. And the sea? 
                                                 How it murmurs. 
                                                 How it murmurs.  


                                                 It is all one water.
                                                 
                                                 A finger in a tide pool 
                                                 brings our shores together






One of the things that struck me during this web-based process was the generosity with which these men and women – most of whom have never met – responded to my call. A community comprising writers, artists, scientists, musicians, a police detective and a nun, they hail from places as far-flung as Ireland, Australia, USA, Germany, the UK, South Africa, Italy and Tasmania. Without exception, they offered up their prose and poems as gifts – no strings attached. 

There is a potency and intimacy peculiar to web-based communities that overwrites conventionally-perceived limitations such as age, political bias, ethnicity, kronos time and measurable space. The web is a mighty equalizer – like the ocean, it wraps us around, drawing our continents together. We take our place around the virtual table and at the press of a key, enter worlds we might ordinarily not have access to, with people we might ordinarily never meet. Before we know it we’re engaging in a depth of communication that has all the elements of privileged encounter and sacred space. If water is the medium of the unconscious, might we consider the web its metaphorical equivalent?

During these times of crisis and accelerated change, I am drawn ever more to poetry, music and the moving image as powerful communication tools within our global arena. It seems to me that as our world’s clamor and confusion increases, so listening and stillness are being recognized as vital agents for peace, advocacy and transformation. We are being invited to find new ways of communicating that transcend the all-too-familiar notes of violence, fear and separatism and express instead as a 'protest of poetry and pause.’




This is a second iteration of the film using the same text but different film footage and soundtrack. 





* Collaborative poem by Claire Beynon (NZ),  Marylinn Kelly (USA), Therese Clear (USA), Pamela Morrison (NZ), Elisabeth Hanscombe (AUS), Kay McKenzie-Cooke (NZ) & Scott Odom (USA).


Porcelain sculpture by Christina Bryer (SA). 
Music by Chris Tokalon (SA). 
Hand dancing by Kate Alterio (NZ). 
Underwater photography by Shawn Harper (USA). 
Ice divers - Sam Bowser (USA) & Shawn Harper (USA).
Filmed & produced in Explorers Cove, ANTARCTICA & Dunedin, NZ 2008 - 2011.




Thursday, August 23, 2012

Today's Ocean Stories



OCEAN HEALTH IS OUR HEALTH

"The ocean touches nearly every aspect of our lives - making it essential to the economic, social and ecological well-being of everyone, everywhere.

How do we measure the health of the ocean?  The Ocean Health Index is a new, comprehensive measure of the ocean's overall condition - one that treats people and nature as integrated parts of a healthy system. Here begins a journey to sustainably manage our relationship with Earth's greatest resource. . . "

Follow this link to the OCEAN HEALTH INDEX --- http://www.oceanhealthindex.org/


*


Sobering evaluation of New Zealand's waters with regard to the Ocean Health Index -

http://www.stuff.co.nz/environment/7492971/NZ-knocked-back-on-ocean-health-index


*


This list of threats to our ocean comes from the Smithsonian Institution's Ocean Planet exhibition and from the book Ocean Planet: Writings and Images of the Sea, by Peter Benchley and Judith Gradwohl (published by Harry N. Abrams Inc., 100 5th Ave., New York, N.Y. 10011)


http://seawifs.gsfc.nasa.gov/OCEAN_PLANET/HTML/education_threats.html


*


Wednesday, August 8, 2012

Two quotes



The following quotes found their way into my mailbox today - 


Anyone who can solve the problems of water, will be worthy of two Nobel prizes - one for peace and one for science.
John F. Kennedy


When the well is dry, we know the worth of water. 
Benjamin Franklin.



Sunday, June 24, 2012

Keeping Silent After Fukushima is Barbaric | Ryuichi Sakamoto



Ryuichi Sakamoto
Ryuichi Sakamoto is one of the most famous Japanese music composers and pianist. He formed Yellow Magic Orchestra from 1978 and won an Oscar in 1988 for best original score for the music in “The Last Emperor”. In 2009, he was awarded the Ordre des Arts et des Lettres from France’s Ministry of Culture for his musical contributions. In 2010, he received the Minister of Education Award for Fine Arts in Japan.
We had recently started a signature campaign recently in support of the people in Japan struggling against the nuclear re-start in Oi .
We have received a note of thanks and solidarity from Sakamoto Ryuichi, one of the best and most famous music composers in Japan. He has been actively involved in various projects to provide assistance to survivors of the Great East Japan Earthquake.
Earlier on DiaNuke.org, we had re-published his essay on Fukushima and the struggle for a nuclear-free world: Our raised voice, our music is the way to move beyond Fukushima
We are grateful to our friend Ayako Oishi for communicating Indian people’s solidarity to Mr. Sakamoto, in response to which he has sent this message.
Please read below Ryuichi Sakamoto’s message to India, in English and Japanese:
親愛なるインドのみなさま,
まずはじめに、2011年3月11日起きた大災害に際し、
みなさまから大きなサポートをいただいたことに心から感謝を申し上げます。
ご記憶いただいていると思いますが、
東北地方に起きた大きな地震と津波が 、チェルノブイリ事故以来となる
人類史上最悪の原発事故を引き起こしました。
日本政府は2011年12月に事故の収束を宣言しましたが、
1年経ったいまでも、実際に福島原子力第一発電所からは放射能が漏れつづけています。
大変に悲しく心が痛みますが、日本には人が住むことのできない大地が出来てしまいました。
そしていまだに10万人もの人々が家を離れ避難を余儀なくされています。
今日は、原子力発電所と原子力全般についてわたしの考えをお伝えしたいと思います。
「アウシュヴィッツ以後、詩を書くことは野蛮である」とアドルノは言いました。
ぼくははこう言い替えたい、「フクシマのあとに声を発しないことは野蛮である」と。
日本は三度被爆しました。
ヒロシマ、ナガサキ、そしてフクシマ。
ヒロシマの原爆記念碑には
「安らかに眠って下さい 過ちは繰返しませぬから」と刻まれていますが、
私たちの国は原子力の平和利用という幻想によって、再び過ちを犯してしまいました。
これでは原爆によって亡くなった方たち、
その放射能によって発病し亡くなった何十万の人々に、
言い訳のしようがありません。
人類史上最悪の事故によって「原子力の平和利用」という夢から覚めた私たちに今できることは、
それが兵器であろうと発電のためであろうと、人類は核と共存できないことを世界に示すことです。
坂本龍一
(音楽家)
Dear Friends in India,
First of all, I would like to personally thank all of you for your sympathies and supports for victims of Japan’s 311 disaster.
As you may remember, the huge earthquake and tsunami that hit the northern Japan area caused the worst nuclear disaster in human history since the Chernobyl accident.
The Japanese government declared an end to the world’s worst nuclear crisis in December 2011. However, the fact is, the leakage of radioactive material from the Fukushima-1 Nuclear Power Plant is on going even now, after a year has passed. It is extremely sad and painful to admit that in Japan, we now have land where no one will ever be able to live. At least 100,000 people remain displaced and not able to return their homes.
Today, I would like to share my opinion about nuclear power plants and nukes in general.
Adorno said “Writing poetry after Auschwitz is barbaric.”
I would like to revise it and say, “Keeping silent after Fukushima is barbaric.”
Japan has been irradiated 3 times: Hiroshima, Nagasaki then Fukushima.
Engraved on the memorial cenotaph in Hiroshima is an epitaph:
“Rest in Peace, for we shall not repeat the error,”
However, our country has committed the same error, guised by the hallucinatory proclamation to use nuclear energy peacefully.
No excuse can be made for those tens of thousands of people who were lost to the atomic bombing and the subsequent radiation poisoning.
Now that the worst accident in history has awoken us from our deluded slumber to “use nuclear energy peacefully,” the next step is to prove to the world that people and nukes cannot coexist, whether it is for weapons or electricity.
Ryuichi Sakamoto
(Composer/Musician)

Friday, September 2, 2011


What the Water Knows

What the mouth sings, the soul must learn to forgive.
A rat’s as moral as a monk in the eyes of the real world.
Still, the heart is a river
pouring from itself, a river that cannot be crossed.

It opens on a bay
and turns back upon itself as the tide comes in,
it carries the cry of the loon and the salts
of the unutterably human.

A distant eagle enters the mouth of a river
salmon no longer run and his wide wings glide
upstream until he disappears
into the nothing from which he came. Only the thought remains.

Lacking the eagle’s cunning or the wisdom of the sparrow,
where shall I turn, drowning in sorrow?
Who will know what the trees know, the spidery patience
of young maple or what the willows confess?

Let me be water. The heart pours out in waves.
Listen to what the water says.
Wind, be a friend.
There’s nothing I couldn’t forgive.

Sam Hamill



Friday, June 17, 2011

Fukushima - let us speak daily gratitude to & for our world's waters

Fukushima: 'Biggest Industrial Catastrophe In History'

By Dahr Jamail

16 June, 2011
Al-Jazeera-English

"Scientific experts believe Japan's nuclear disaster to be far worse than governments are revealing to the public.

'Fukushima is the biggest industrial catastrophe in the history of mankind," Arnold Gundersen, a former nuclear industry senior vice president, told Al Jazeera. . . '"

To continue reading this article, click on this link - - - http://www.countercurrents.org/jamail160611.htm



*



When one part of our global body - oceanic or otherwise - is hurt, every of us are impacted. 

I am reminded again of Masaru Emoto's plea to us all to speak gratitude to and for our world's waters each and every day - as we shower, drink, walk by the sea, refresh the water on our bird tables, water our plants, experience cool dew on bare feet, walk in the rain. . .   




_/\_ 

Namaste




Wednesday, June 15, 2011

Lynne McTaggart on Water


Lynne McTaggart describes research which suggests that water is one medium of this coherent communication system especially in living plants and animals:

"This would mean that water is like a tape recorder, imprinting and carrying information whether the original molecule is still there or not. The shaking of the containers, as is done in homeopathy, appears to act as a method of speeding up this process. So vital is water to the transmission of energy and information that Benveniste's own studies actually demonstrate that molecular signals cannot be transmitted in the body unless you do so in the medium of water. In Japan, a physicist called Kunio Yasue of the Research Institute for Information and Science, Notre Dame Seishin University in Okayama, also found that water molecules have some role to play in organizing discordant energy into coherent photons - a process called 'superradiance'.This suggests that water, as the natural medium of all cells, acts as the essential conductor of a molecule's signature frequency in all biological processes and that water molecules organize themselves to form a pattern on which can be imprinted wave information. If Benveniste is right, water not only sends the signal but also amplifies it."



Monday, June 6, 2011

FLOTILLA








     





This response arrived from a friend - 

". . . I've been following with interest and delight your progress with the boats, and not infrequently find myself musing on the project's many meanings. The images you've given us on the blog -- of the boats in ones and twos, arrayed in rank and file, in a nested circle -- have been gorgeously suggestive. I have grown fond of these small paper barques, their grace, their simplicity, their innocence. I'm charmed by the picture of them clamped with clothespins for gluing -- 'watching' them being made like that resonates through the word craft, as boat, as process, as workmanship.

It's when I imagine them installed as you described last week, rising up the wall, that I am most moved by your concept. Despite an undeniable innate dignity, there is also something comic about each boat, poignantly so; a delicacy that becomes almost cartoonish. To consider each unit on its own, it's hardly a boat at all, in a sense, as much the idea of a boat, a boat dream. All alone, there isn't one that could survive a bathtub, much less be seaworthy. And yet, to consider them together, they become mighty, a flotilla, as you've said, or an armada, as one of your blog crew suggested. And herein lies the great power of your poem (for I agree with you, the installation is fundamentally a song) as it reflects on the human condition. 

Like your boats, we too are vessels, noble in our aspirations, but a bit comic as well when we propose our inviolability against the world, or imagine ourselves as self somehow ending at our skin. Our vulnerability belies such a claim.  (Indeed, despite its balletic grandeur, there is something existentially disquieting about the film in this regard, a sense of each boat drifting in its own isolation, at the whim of the currents. To end up belly up under the ice is a grim fate.)  It is not as separate vessels, but together, as a collective, united, ascending soul, that the boats achieve their highest nobility. . . and become something nearly indomitable. " Timothy Cahill








Saturday, April 23, 2011

Beyond the oil spill



The tragedy of an ailing Gulf - New York Times article 


How easy it is to point fingers at the 'other' - we do this in so many ways and in so many areas of our life. 
This particular Gulf-related situation begs the question. . . are we not all BPs; as responsible for the catastrophe as we are for the clean-up? The metaphorical implications implied in this question are many and plain. . . 




gulf |gəlf|
noun
1. a deep inlet of the sea almost surrounded by land, with a narrow mouth.
2. a deep ravine, chasm, or abyss.
figurative a large difference or division between two people or groups, or between viewpoints, concepts, or situations : a wide gulf between theory and practice.


Friday, April 1, 2011

                                                 


                                                 Take a small boat
                                                 down the river. Fish
                                                 in the rain, cherish
                                                 the green moss, love
                                                 the waters that offer up
                                                 their purity – love
                                                 the waters

                                                 CB





Sunday, March 27, 2011

What is soft is strong







"Water is fluid, soft, and yielding. But water will wear away rock, which is rigid and cannot yield. As a rule, whatever is fluid, soft, and yielding will overcome whatever is rigid and hard. This is another paradox: what is soft is strong" ~ Lao-Tzu